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"CULTURAL MARSHALL PLAN" DONATES ANOTHER MAJOR WHITE CHARACTER TO BLACKS


The soul-sucking poverty of Black culture has been highlighted once again by the latest "cultural donation" from White people of one of their thousands of fictional characters.

This time it is Batman, who had always been depicted as a 100% White man, but is now being repurposed to serve as a Black cultural icon in a story that will be heavily weighed down by woke agendas and will totally suck. 

As reported by the Leftie Guardian:

The next hero to don Batman’s cowl will be a black man, named Tim Fox, DC Comics has revealed.

The identity of the new Batman, estranged son of Bruce Wayne’s business manager Lucius Fox, was announced by the comics publisher on Thursday. The new series will be written by John Ridley, the screenwriter of 12 Years a Slave, with art by Nick Derington and Laura Braga. It is set in a future Gotham City controlled by the villainous Magistrate, where all masked vigilantes are outlawed and Batman has been killed. Fox, as a new Batman, will rise up to save the day.

Ridley had previously revealed that the next Batman would be a person of colour, telling the New York Times that it was the first time his two sons had been “genuinely excited” about his work. “They appreciate the things that I do. They’re happy for me. They’re great supporters. But they would much rather see Black Panther than 12 Years a Slave, let’s be honest,” he said in November. “So to be able to write the next Batman, for them to know that this next Batman is going to be black, everybody else on the planet can hate it, have a problem with it, denigrate it, but I have my audience and they already love it.”


Once again the complete lack of interesting and authentic Black characters has been emphasised, revealing what appears to be a deep creative poverty that may or may not have been created by centuries of "racism."

This enormous cultural imbalance can only be remedied by what Colin Liddell has called "cultural welfarism." In his 2014 article "ORPHAN ANNIE AND THE CULTURAL WELFARISM OF BLACK AMERICA"
 Liddell famously wrote:

Genuine, original material written by and for Blacks is relatively scarce, while many of the most famous Black roles – from Othello to Hoke Colburn (the driver in Driving Miss Daisy) – were written by Whites.

In a just society, the low cultural contribution of Blacks would be reflected in the movies, with only a few Black actors appearing in starring roles or in minor films directed at purely Black audiences. This would perhaps allow Black cinematic culture to develop its own identity and characteristics. When White roles are given to Blacks, as with Annie, they often end up ringing false even if they are drastically reinterpreted. Even from the trailers, Jamie Foxx as Daddy Warbucks is an obvious absurdity.

But, of course, America is not a just society, but one that instead prides itself on an artificial and spurious egalitarianism. So, as with food stamps, free healthcare, Obama phones, and other welfare, Blacks also have to be provided with the ill-fitting rags, leftovers, and hand-me-downs from the big house of White cultural creativity.

Over the years a great many White characters have been "donated" to the Black community as part of this "Cultural Marshall Plan" to fight Black cultural poverty. Here are a few examples

■ In 1967 the role of Catwoman, a white character in the Batman TV series was "Blackwashed" when the role was given to Black singer Eartha Kitt. 

■ In 1983 the recurring role of White CIA agent Felix Leiter in the James Bond movies was "Blacked." In Casino Royale (2006) and Quantum of Solace (2008) Black actor Jeffrey Wright played Leiter, ensuring his total Blackification.

■ In the 1990 film version of the novel The Bonfire of the Vanities the Ashkenazi Jewish character of Judge Leonard White was doled out to Black actor Morgan Freeman.

■ Exactly the same thing happened in the 1993 movie version of The Pelican Brief where the Black actor Denzel Washington played a character described as white in the original novel by John Grisham.

It happened again in the 1994 movie version of The Shawshank Redemption where Red, described as Irish in the original novel was also given to that leading Black recipient of White roles Morgan Freeman.

■ The 1996 remake of The Nutty Professor gave the roles of Sherman Klump and Buddy Love, previously portrayed by Jerry Lewis, to Black actor Eddy Murphy.

■ Murphy "Blacked" another White role, that of Dr. Dolittle in the 1998 remake of the original which featured Rex Harrison in the role.

■ Daredevil (2003): Black actor Michael Clarke Duncan played Wilson Fisk (AKA Kingpin), who was portrayed in earlier comics versions as a European American.

■ Charlie's Angels: Full Throttle (2003): Black actor Bernie Mac portrayed Bosley, who was previously portrayed as white and was played by Irish-American Bill Murray in Charlie's Angels (2000).

■ In 2004, the title character of the movie Catwoman was once again subjected to Blackwashing, this time at the hands of Halle Berry.

■ A particularly bad case of Blackwashing occurred in the 2005 remake of the The Hitchhiker's Guide to the Galaxy, when the White character of Ford Prefect, expertly played by David Dixon in the 1981 BBC TV series, was handed over to inept Black actor Mos Def, completely ruining the role. Although, to be honest, everybody else in that film was crap too.

■ In the 2008 movie version of the video game Max Payne, the the role of Internal Affairs agent Jim Bravura, who is portrayed as white in the video game, was played by Black rapper Ludacris.

■ Iron Man (2008): African-American actor Samuel L. Jackson played Nick Fury, who was previously depicted as white in a variety of mediums.

■ King Lear (2010) Black British actress Pippa Bennett-Warner played Cordelia in the 2010 Donmar Warehouse production of Shakespeare's play, starring Derek Jacobi (White) in the title role.

■ The Karate Kid (2010): In the original the main character was a White kid. In the remake black actor Jaden Smith took the role.

■ Thor (2011): The role of the Asgardian sentry Heimdall, based on the Marvel Comics character commonly depicted as white, was played by Black British actor Idris Elba. In Thor: Ragnarok (2017) the role of the bounty hunter Valkyrie, based on a character commonly depicted as white, was played by African American actress Tessa Thompson.

■ Skyfall (2012): The totally White role of Miss Moneypenny, central to the ethos of the Bond movies, was Blackwashed in this film and its successor Specrte by Black actress Naomie Harris.

■ Steel Magnolias (2012): This remake of an 1989 film basically took all the White characters down to the cellar and shot them in the back of the head to be replaced by an all-Black American cast, including Queen Latifah as M'Lynn.

■ Annie (2014): The White characters of Annie and Daddy Warbucks were given over to Black actors Quvenzhané Wallis and Jamie Foxx. No Black cultural products were put into White hands in return.

■ The Amazing Spider-Man 2 (2014): Jamie Foxx was once again first in the cultural welfare queue to play the role of Max Dillon / Electro, who was commonly depicted as white in the comics.

■ Fantastic Four (2015): Black actor Michael B. Jordan played the Human Torch (Johnny Storm), a character traditionally portrayed as white.

■ Hamilton (2015): Broadway musical. Historical figures including the Founding Fathers, who were all white in real life, are played by people of multiple different races. Hamilton himself was of Scottish origin.

■ Harry Potter and the Cursed Child (2016): Black actress Noma Dumezweni played Hermione Granger, a character who was portrayed by white actress Emma Watson in the Harry Potter films.

■ The Rocky Horror Picture Show (2016) destroyed the Whiteness of Tim Curry's character Frank-N-Furter in order to create a piece of low-grade cultural welfarism for black transgender actress Laverne Cox. The role of Magenta was also Blackwashed.

■ Dynasty (2017): Based on the 1980s series of the same name where both of the lead families are white. In this reboot, the Colby family is portrayed by African-American actors

■ Riverdale (2017): Based on the characters and setting of the long-running Archie Comics series, multiple characters traditionally depicted as white in the comics are portrayed by non-white actors in the show.

■ The Dark Tower (2017): Black actor Idris Elba plays Roland Deschain, a character who is described in the Dark Tower series as white and is said to have been inspired by white actor Clint Eastwood.

■ Troy: Fall of a City (2018): The BBC/Netflix co-production, which retells the Iliad, depicts Achilles and Zeus as being black, with the roles played by David Gyasi and Hakeem Kae-Kazim.

 Deadpool 2 (2018): The character Domino, drawn in comic books as an albino Caucasian with a dark patch of skin in a diamond surrounding her left eye, is portrayed by African-American German actress Zazie Beetz.

 Fahrenheit 451 (2018): The character Guy Montag, portrayed by White actor Oskar Werner in the 1966 adaptation of the noval, is portrayed by African-American actor Michael B. Jordan.

■ Artemis Fowl (2020): In the novel, the character Butler is described as Eurasian, specifically Russian-Japanese; in the film he is portrayed by British Nigerian Nonso Anozie.

 The Witches (2020): Based on the Roald Dahl novel, the main character, a young boy, and his grandmother are black; in the book, they are Anglo-Norwegian.

This is where Blacks are at culturally

1 comment

Edwin Oslan said...

Well, to be fair, the Nutty Professor one was supposed to be a culturally black nutty professor, not just a nutty professor who happens to be black; Murphy goes from nerd to jive talkin' mofo, which is the point. This would be like complaining about 70s horror films like BLACULA, BLACKENSTEIN, and D. BLACK, MR. HYDE. They're supposed to be black in both the racial AND cultural sense, as opposed to JUST making a white character black to fill affirmarive action quotas.

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